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Print first text on popular (entertainment) music was “Abschied vom Jazz” ( Europäische Revue, 1933). In their audio commentary on the film, which is featured on the 1999 Tin Blue DVD edition, Scarfe and Waters initially comment on the tense atmosphere between them and Parker. For all its difference from the original shows, the readily available video of the all-star performance of The Wall which Waters staged in Berlin in 1990 also provides interesting insights. However, a fair idea of the show's aesthetics and concept is conveyed through the published material of designer Gerald Scarfe (see, for example, 13, 152–68) and the exhibition catalogue by the Stiftung Moritzburg. To date, no film version of the original “The Wall” show seems to be publicly available (see Blake 288). Partly due to the poor visual quality of the footage, however, this plan was later discarded. Some of the performances were filmed for the purpose of including authentic concert sequences in the film. It makes sense to do so, however, when the focus is on developments away from blues- or folk-based immediacy. As genre categories, “art rock” and “progressive rock” are not generally used as synonyms.
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131–239, and The Secular Scripture also Jameson, esp. Valuable information on album, show, and film can be gleaned from Carruthers' booklet for the Arthouse Classics DVD set Reflections on The Wall and from Manning. However, little analytical work seems to have been done on The Wall-the notable exception being Jenkins, who offers an introductory interpretation that takes off from the 1990 Berlin performance of The Wall. There is also some strictly scholarly work see, for example, Reising or Weinstein. For interesting band histories, see, for example, Schaffner and Blake. There is a wealth of material dealing with Pink Floyd. ALL RIGHTS ADMINISTERED BY ARTEMIS MUZIEKUITGEVERIJ B.V.ĪLL RIGHTS ADMINISTERED BY ARTEMIS MUZIEKUITGEVERIJ B.V.